"What emerged was the idea of the geological deep-time spiral, a scientific concept but also a visual motif deeply rooted in Indigenous and Mesoamerican traditions, like Mayan calendars. It's a bridge between Western science and Indigenous worldviews, both seeing time as continuous and layered — just like the landscape itself, where strata stack over millennia."

"Beyond aesthetics, the piece serves as both a celebration and a form of accountability for the city's Climate Action Plan. Positioned at City Hall, it reflects environmental changes — if the city stops planting trees, that neglect will become visible. It turns dry, gatekept data into something immersive and engaging — a civic interface, one might say."

"Before Adrian introduced me to the term 'spatial cinema,' I thought of it as long-form architectural video — something that unfolds over months and years rather than minutes or hours. City Hall employees might see it every day for decades, and residents in the area will encounter it regularly throughout their lives."

Read the full interview at IMPULSE →